Dr. Andrew Sears

Wissenschaftlicher Assistent

Abteilung für Ältere Kunstgeschichte

E-Mail
andrew.sears@unibe.ch
Büro
168
Postadresse
Institut für Kunstgeschichte
Mittelstrasse 43
3012 Bern

Research Fields

  • Medieval craft, production, and marketing
  • Relics, reliquaries, and the cult of saints
  • Trade, theft, and looting across the medieval world
  • Histories of museum display, with a particular emphasis on medieval European and African art

Grants, Fellowships, and Awards

  • David E. Finley Fellowship, Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC, 2018 – 2021
  • Fellowship, International Scholarship Programme, Staatliche Museen zu Berlin, Bode Museum, 2017 / Wissenschaftliche Hilfskraft für die Ausstellung Unvergleichlich: Kunst aus Afrika im Bode-Museum, kuratiert von Julien Chapuis, Jonathan Fine, und Paola Ivanov
  • Fellowship, Kunsthistorisches Institut in Florenz – Max-Planck-Institut, “Ethics and Architecture” Research Group, 2016
  • John Boswell Dissertation Grant, Medieval Academy of America, 2016
  • Outstanding Graduate Instructor Award, University of California, Berkeley, 2015
  • Max Kade Foundation Summer Travel Grant, 2015
  • Hellman Foundation Fellowship, 2015 – 2016
  • Summer Research Fellowship, Universität zu Köln, Kunsthistorisches Institut, 2014
  • Fellowship, Samuel H. Kress Foundation, Middlebury German School, 2013
  • Mellon-Berkeley Fellowship, 2012 – 2016

Papers Given

Lectures

  • “St. Ursula and the Eleven Thousand Virgins: Patron Saints of Trade,” CASVA/NGA, February 2021
  • “Marketing Saints: The Serial Production of Mechelen Statuettes,” Universität Bern, Berner Mittelalterzentrum, March 2019
  • “Weaving, Spinning, Sewing: Dressing Relics at Herkenrode Abbey,” University of Cambridge, Medieval Art Seminar Series, October 2018
  • “‘Embroidered Heads’: St. Ursula’s Skulls and the Cologne Textile Trade, 1500,” Kunsthistorisches Institut in Florenz, December 2016

Conference Presentations

  • “Reliquaries Moving through the Rhine-Meuse Region,” Forum Kunst des Mittelalters, September 2019
  • “‘Embroidered Heads’: St. Ursula’s Skulls and the Cologne Textile Trade, 1500,” Renaissance Society of America, March 2018
  • “The Value of Reliquaries in the Hanseatic League, 1300-1500,” International Congress on Medieval Studies, Kalamazoo, MI, May 2016
  • “New Relic Findings at Roermond Munsterkerk,” Roermond Munsterkerk, April 2016
  • “Reliquaries and Value in the Hanseatic League, 1200-1500,” Universität Zürich, Brackweder Arbeitskreis für Mittelalterforschung, November 2015
  • “The Rise of Pictorial Narrative in the Cult of St. Ursula,” International Congress on Medieval Studies, Kalamazoo, MI, May 2015
  • “Wondrous Wondering: European Reception of Sapi-Portuguese Saltcellars c. 1500,” The Ohio State University, April 2014
  • “Envisioning Sacredness: The Rise of Pictorial Narrative in the Cult of St. Ursula,” McGill University, March 2014

Conferences and Panels Organized

  • “Regionalism in Medieval Art & Architecture,” Kalamazoo, May 2018, organized with Mark Summers
  • “The Idea of Luxury and the Role of the Object,” Kalamazoo, May 2017, organized with Laura Tillery
  • “Early Modern Color: Perception and Material Across Cultures,” UC Berkeley, April 2015, organized with Grace Harpster and Jessica Stair
  • “Spaces of Cultural Change in Early Modern Africa,” UC Berkeley, March 2015, organized with Grace Harpster and Jessica Stair
  • “Identity in the Early Modern,” UC Berkeley, December 2014, organized with Grace Harpster and Jessica Stair
  • “Invisibility—Illegibility,” UC Berkeley Graduate Symposium, April 2014, organized with Sarah Cowan, Jez Flores, Emma Silverman, and Jon Soriano

Professional Service

  • Chair, International Center of Medieval Art Student Committee, 2016 – 2018
  • Graduate Student Representative, History of Art Department, University of California, Berkeley, 2014 – 2015
  • Co-Chair, Berkeley Townsend Center Working Group, “Mobilities and Materialities in the Early Modern World,” 2014 – 2015

Authored

Julien Chapuis, Jonathan Fine, and Paola Ivanov, eds., with contributions by Antje Akkermann, Andrew Sears, and Christine Seidel, Beyond Compare: Art from Africa in the Bode Museum / Unvergleichlich: Kunst aus Afrika im Bode-Museum (Berlin: Edition Braus, 2017).

Heather MacDonald and Andrew Sears, Flower of the Prairie: George Grosz in Dallas (Dallas: Dallas Museum of Art, 2012).

Reviewed

Andrew Sears, Review of Gold & Ruhm: Kunst und Macht unter Kaiser Heinrich II, eds. Marc Fehlmann, Michael Matzke, and Sabine Söll-Tauchert, The Burlington Magazine 164, no. 1415 (2021): 161-3.

Andrew Sears, Review of Caravans of Gold, Fragments in Time: Art, Culture, and Exchange Across Medieval Saharan Africa, ed. Kathleen Bickford-Berzock / Sahel: Art and Empires on the Shores of the Sahara, ed. Alisa LaGamma, 21: Inquiries into Art, History, and the Visual 2, no. 3 (2021): 197-202.

Translated

Translated the 2019 online database of Basel Cathedral’s treasury from German to English: www.muensterschatz.ch

Lecture Courses

  • The Intersectional Middle Ages (co-taught with Beate Fricke), Fall 2022
  • Gothic Art & Architecture (teaching assistant to Beate Fricke), Spring 2014

Proseminars

  • Decolonizing the Museum: African Art, Swiss Collections, and Restitution, Spring 2022
  • Medieval Matters: Histories of Displaying the Middle Ages, Spring 2022
  • Medieval Children, Fall 2021
  • Introduction to African Art & Architecture, Spring 2018
  • Depicting the Sacred: Saints and Society, Fall 2017
  • Art and Economics in the Middle Ages (co-taught with Beate Fricke), Spring 2017
  • The Medieval City, Spring 2015

Study Trips

  • Bruges, Antwerp, Brussels, August 2022
  • Florence, November 2021
  • Berlin (co-taught with Theresa Holler), June 2018
  • Strasbourg, October 2017
  • Sicily (co-taught with Beate Fricke and Theresa Holler), June 2016
Since 11/2021 Wissenschaftlicher Assistent in the Department of Premodern Art, Institut für Kunstgeschichte, Universität Bern (Post-Doc)
2021 Ph.D., History of Art & Medieval Studies, University of California, Berkeley
Committee: Beate Fricke, Elizabeth Honig, Margaretta Lovell, Niklaus Largier
2017 – 2018 Wissenschaftlicher Assistent in the Department of Premodern Art, Institut für Kunstgeschichte, Universität Bern (Pre-Doc)
2017 Curatorial Support for the Exhibition Beyond Compare: Art from Africa in the Bode-Museum, Bode-Museum, Berlin, October 2017 – November 2019
2015 M.A., History of Art, University of California, Berkeley
2011 – 2012 McDermott Curatorial Intern, Dallas Museum of Art
Department of European & American Art
2011 Curatorial Intern, High Museum of Art, Atlanta
Department of African Art

B.A., Art History and African Studies, Emory University, Atlanta
2010

Education Intern, Michael C. Carlos Museum, Atlanta

Education Intern, The Met Cloisters

Exchange Semester, Kenya Semester Program, St. Lawrence University

Curatorial Intern, The Zanzibar Museum and Zanzibar National Archives
2009 Curatorial Intern, High Museum of Art, Atlanta
Department of African Art