Books
Editor, Charting Space: the cartographies of conceptual art. Manchester: Manchester University Press, 2023.
Dematerialization and the social materiality of art: Experimental forms in Argentina, 1955-1968. Leiden: Brill, 2021.
- Recipient of the 2022 Best Book Award in Latin American Visual Culture Studies from the Latin American Studies Association, Visual Culture Studies Section
Selected Publications
“Latin American art in diaspora: migration and alternative networks of art in the 1960s and 1970s”, MODOS: Journal of Art History 8.3 (Sept-Dec. 2024): 392-413.
“Amsterdam: Reconsidering the Transnational”, Stedelijk Studies Journal, Issue 14 (October 2024) (guest edited with Daniel R. Quiles).
"Maps, spatiality and conceptual art”, in Charting space: the cartographies of conceptual art. Ed. Elize Mazadiego. Manchester: Manchester University Press, 2023.
Co-edited with Eve Kalyva, Dialogues: The Future of Radical Women -- Feminism and Latin American Art, Latin American and Latinx Visual Culture Vol.5, Issue 2 (April 2023).
with Eve Kalyva, “The future of feminism in Latin American art”, in Latin American and Latinx Visual Culture Vol.5, Issue 2 (April 2023).
“New alignments in 1970s artistic networks: the case of In-Out Center and transnational artists from Latin America in Amsterdam”, RKD Bulletin no. 2022/1.
with Stefaan Vervoort, “When the Sky is Low and Heavy: David Lamelas and Transnational Heritage in Flanders”, Arts 11 (1) (2022): 1-17.
“Urban Folklore: Marta Minujín's Postwar Assemblage and the modern city” in Multiple Modernisms: New Histories of Art in the Global Postwar Era. Eds. Flavia Frigeri and Kristian Handberg. London: Routledge, 2021.
“La Línea” and “La Lleca Colectiva” in Collective Situations: Readings in Contemporary Latin American Art 1995-2010. Ed. Grant Kester and Bill Kelley Jr. Durham: Duke University Press, 2017: 388-391 and 403-406.
“Happenings to Anti-Happenings: The Avant-garde and Obsolescence in 1960s Argentina,” in The Permanence of the Transient: Precariousness in Art. Ed. Camila Maroja and Caroline Menezes. London: Cambridge Scholars Publishing, 2014: 96-105.
“A Witness to Revolution: The Photographic Archive of Oscar Castillo,” in Oscar Castillo Papers and Photograph Collection: The Chicano Archives Series. Ed. Colin Gunkel. Los Angeles: UCLA Chicano Studies Research Center Press, 2011: 23-39.
Co-edited with Edward Sterrett, Silent Witness: Violence and Representation, pros* Journal no.1 (Winter 2011).
with Grant Kester and Jenn Moreno, “Interview with artist Ken Gonzales-Day,” pros* Journal Issue One (2011): 7-24.
“New Public Art: Redefining or Reconsidering Community-Based Art?” pros* Journal Issue 0 (2010): 29-38.
